Design Your Own Creative Suite 3 Icons Competition

2007-01-25

##NOLIGHTBOX##

This Competition Has Ended and is No Longer Accepting Entries. View the Winning Entries Below.

Winners announced, and icons ready for you to download, below.

Foreword

In late December 2006, Adobe revealed a portion of its branding scheme for the next generation of Adobe applications, including the upcoming Creative Suite 3 and all CS3-version point products like Photoshop, InDesign, InCopy, Illustrator, DreamWeaver, Adobe Bridge, and Acrobat. Except in a few instances, the branding scheme, which incorporates all the formerly Macromedia-published products, foregoes the symbols and iconography so familiar to creative professionals in favor of color-coded, two-letter symbols for each application (see illustration).

Adobe’s New Product Color Wheel O’ Icons (thumbnail)

Click the image to zoom to the entire color wheel. Adobe’s new product icons create a cohesive branding scheme based on the color wheel.

The branding change has met with passionately polarized opinions–some adore the new icons, some despise them. Regardless of which side you count yourself among, Quark VS InDesign.com is giving you the opportunity to express your vision of the perfect Creative Suite 3 application icons in the Design Your Own Creative Suite 3 Icons Competition.

If you aren’t a fan of the new icons, here’s your chance to make your opinion known to Adobe in the language you speak most fluently–visual design. Even if you love the new CS3 icons, here’s your chance to step into Adobe’s shoes to visually explore and quantify what the tools of our trade mean to you. Starting from scratch, how would you have designed the icons?

The Quark VS InDesign.com Design Your Own Creative Suite 3 Icons Competition is a good-natured, fun, and friendly competition among graphic designers, illustrators, user interface designers, and anyone who enjoys using Adobe products to create–professionally or as a hobby. This contest is about celebrating our favorite tools and thanking Adobe for two decades of creating some of the coolest software that enables us to express our creative passions.

Now that Adobe has shown how it sees Adobe applications, Quark VS InDesign.com is asking you to show how you see your favorite tools, to communicate your vision in the unique and challenging art form of 128x128-pixel canvases. When all the entries are assembled together on Quark VS InDesign.com your designs will be among a gallery of voices from around the world articulating in visual language their appreciation for the coolest software I can imagine.

The Winners and Judging

First Place: Kimberly Smith

Second Place: Danny Dioguardi

Third Place: Vito Zgonik

Judging was according to the following criteria:

  • 30% Originality. Rotating Adobe’s own icons 90-degrees probably won’t score big.
  • 30% Appropriateness to Subject. In part, we will look for how obvious it is that the icon represents the application it’s supposed to. In a dock or button bar, no label will be present, so a user must intuit which icon belongs to which application. Part of this criterion will also be evaluating the ability of the design to retain its integrity and recognition at typical icon sizes–256x256, 128x128, 64x64, 48x48, 32x32, 24x24, and 16x16 pixels.
  • 30% Coolness Factor. Any iconophile knows that the appreciation of these tiny works of art is not limited to specific styles, palettes, or motifs. It’s about, well, icon coolness. Separate from the others, this criterion will look at how many and how big the oohs and ahhs the designs elicit, and how fast it makes us want to replace default icons on our own docks and launch bars.
  • 10% Number of Application Icons. The minimum eligible submission was three (3) icons. Among the various editions of Creative Suite 3 and all the non-bundled applications Adobe recently madeover, there were more than three dozen applications that were candidates to have their icons redesigned by entrants. Adobe created a cohesive design scheme for their icons, and we looked for entrants to do the same.

With so many creative interpretations of Adobe application iconography, judging was difficult. Between the first and second place winners especially. Kimberly Smith’s excellent and instantly identifiable object-oriented graphics and Danny Dioguardi’s evolution of symbols from an homage to previous versions through new symbols are both beautifully original, immediately identify the applications they describe, and certainly meet the coolness factor. In the end, judging between them rested on that 10% criterion, the number of application icons. Kimberly created four more icons than Danny, nudging her into the top spot.

Vito Zgonik, the third place winner, produced designs that hold true to Adobe’s CS3 branding scheme by using color-coded squares and two-letter identifiers for applications, but return the symbols and functional communication lacking in Adobe’s icons. Vito elegantly incorporated the symbols as subtle background patterns where others might have been tempted to add louder elements to compete with the central letters. Two things prevented this set of icons from scoring higher in the competition: First, the styled F Flash icon broke ranks and retreated into past Macromedia branding instead of holding a cohesive aesthetic. Second, the symbols Vito used in some of the background patterns didn’t make sense. For instance, grass brushes are used to represent FreeHand and Photoshop. I could understand such a symbol applied to the vector illustration application FreeHand or to Photoshop, which contains the grass brush patterns themselves, but by employing grass for both application icons, it weakened the result for both and looks almost as if the artist ran out of ideas by the time he got around to designing the latter of the two. Despite its relatively minor flaws, the set is beautiful. I particularly enjoy the way it incorporates and updates the popular glass-button style.

A couple of sets I received, those by Adam Betts and Anatoliy Omelchenko, were also strong showings. At the request of their authors, they were excluded from judging, but have been made available for download. Of the two sets not competing the design competition, Adam Betts’s, which brings the CS3 application box imagery into the icons and retaining the flavor of Adobe’s vision, is stunning. Among my favorites, however, is Anatoliy Omelchenko’s abstract representations of Acrobat, Illustrator, InDesign, and Photoshop. Simple in design but instantly recognizable as harbingers of their respective applications, Anatoliy’s designs are remarkable examples of graphic design.

Click here to see the winning icon designs and download all entries free for use on your computer.

Want to see the incredible prize chests the winners are taking home? Kimberly’s prizes are on the next page, followed by Danny and Vito. Or, use the links box at the top of this column to jump right to them.

Next: First Place Winnings

First Place Prizes

As the first place winner in the “Design Your Own Creative Suite 3 Icons Competition,” Kimberly Smith of the United States will receive courtesy of their manufacturers and Quark VS InDesign.com the following prizes, a combined value of more than US$4,000.

Click here to see Kimberly’s winning icon designs and download them to your computer.

1 of UtilityBelt 3 Courtesy of Andromeda Software, Inc. UtilityBelt 3 UtilityBelt is Andromeda’s most versatile plug-in collection for InDesign. Andromeda is dedicated to making InDesign quicker and easier to use than ever before. With the three UtilityBelt plug-ins: CTBar, TypeEffects, and the latest addition, ChartMaker, you can spend more time on the stuff that matters.

1 of Total Training’s Adobe Creative Suite 2.3 Premium Bundle 2.3 Courtesy of Total Training Total Training’s Adobe Creative Suite 2.3 Premium Bundle 2.3 Photoshop’s Hall of Famer, Deke McClelland, will demonstrate techniques for the most feature-rich versions of Photoshop® CS2 and Illustrator® CS2 yet. Adobe certified expert, Steve Holmes, will walk you through all the features of InDesign CS2 including design, typography, and layout skills. Plus, best selling author Janine Warner will show you how to add video and other multi-media into your website using Dreamweaver 8 and industry pro, Tim Plumer Jr. will show you the secrets of Adobe’s newest version of Acrobat 8. 102 hours of amazing video training!

Included in the bundle:
Total Training for Adobe Acrobat 8 Professional
Total Training for Adobe Illustrator CS2
Total Training for Adobe InDesign CS2
Total Training for Adobe GoLive CS2
Total Training for Adobe Photoshop CS2
Total Training for Dreamweaver 8
Total Training Presents: Adobe Creative Suite 2 — From Design to Delivery

1 of The Design Box Brochure Design Cards Courtesy of StockLayouts LLC The Design Box Brochure Design Cards The Design Box Brochure Design Cards is a handy, first-of-a-kind card deck of 50 professionally-designed brochure layouts. It provides hundreds of ideas for designing marketing pieces for a diverse variety of business types. Beautifully presented in a slide-out box, these at-a-glance cards can be used to help dial in client preferences, or as a design resource for the office or studio. Intended to serve as inspiration for developing practical, real-world marketing pieces, the full-color designs are created in traditional page sizes. With attention-grabbing copy, compelling color palettes, masterful use of typography, and numerous original design styles to choose from, this card deck is an affordable source of new design ideas.

1 of Q2ID (QuarkXPress to Adobe InDesign) Courtesy of Markzware Q2ID (QuarkXPress to Adobe InDesign) Q2ID (QuarkXPress to Adobe InDesign) offers users a quick and easy way to convert QuarkXPress content into a new Adobe InDesign document. Conversion is enabled with a single click using InDesign’s File > Open. The majority of the intricate details of the document are instantly re-created within InDesign.

1 of PrintPro 2.0 Courtesy of HumanEyes Technologies HumanEyes PrintPro 2.0 is a high-quality, easy-to-use 3D creation and production application developed for designers, photographers, ad agencies, brand owners and printers. The fastest and easiest 2D to 3D conversion available is the chief feature addition to PrintPro 2.0. New Timeline allows users to precisely control the composition of their creation. They get real time feedback, view progress and changes in each frame, and then choose the views they wish to have in their final output.

1 of Power Retouche Photoshop Plugins 7.0 Courtesy of Power Retouche Power Retouche Photoshop Plugins 7.0 Power Retouche is a comprehensive pack of Photoshop Plugins for retouching, that speed up productivity as well as add more functions and give higher quality than existing technology

1 of Portfolio 8 Courtesy of Extensis Portfolio 8 Your creative assets are too valuable to be disposable. Preserve your work with Portfolio 8. Surprisingly affordable, Portfolio quickly handles the tasks of locating, organizing, archiving and publishing your digital work. From Web to print, from comps to finished work—Portfolio’s database-backed catalogs equip you with the power to effortlessly find, preview, and repurpose files both online and off-line

1 of PageControl for InDesign CS/CS2 1.0 Courtesy of Quark VS InDesign.com PageControl for InDesign CS/CS2 1.0 Introducing Page Control for InDesign CS and InDesign CS2, the first collaboration between DTP Tools and Pariah S. Burke. With Page Control, your InDesign documents are no longer limited to a single page size. Inserts and foldouts can be created without kludgy workarounds involving multiple documents, the book palette, or extra imposition work.

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1 of Magma Effects 1 Courtesy of RogueSheep Magma Effects 1 Magma Effects allows you to apply a variety of image-enhancement and stylizing effects directly to any bitmap image placed in Adobe InDesign. Enhance photos with color adjustments, sharpening or white point adjustment. Apply special effects such as star-shines and zoom-blurs or glass distortion. Make your images stand out with style by applying spotlight, bloom or shaded material effects. All without leaving Adobe InDesign for another application.

1 of LinkOptimizer 2.0 Courtesy of Zevrix Solutions LinkOptimizer 2.0 LinkOptimizer will help you save valuable storage space, time and reduce production costs by reducing the size of images linked to your InDesign documents. It automatically reduces the image resolution, scales and crops images in Photoshop according to their dimensions in the InDesign document and the target resolution specified, and reimports them to InDesign at 100%. LinkOptimizer also allows to convert image colors, adjust sharpness, specify image safety bleed and more.

1 of InPreflight 1.5 Courtesy of Zevrix Solutions InPreflight 1.5 InPreflight is a comprehensive quality control solution for Adobe InDesign that lets you quickly and easily locate potential problems and produce error-free documents.

InPreflight provides a robust, fast, user-friendly and affordable preflight solution for service providers, printers, ad agencies, designers and publishing houses. It gives extensive information about all document’s fonts, colors and links and allows to quickly spot potential problems according to user defined preflight settings.

InPreflight saves you hours of checking their documents manually and dealing with consequences of costly mistakes.

1 of InEventScript 1.0.3 Courtesy of RogueSheep InEventScript 1.0.3 InEventScript allows you to automate complex or repetitive processes in Adobe InDesign or Adobe InCopy by assigning scripts to the everyday actions users take in InDesign. Anything you can script can be associated to user actions in InDesign. InEventScript allows you to streamline your workflow with ease.

1 of Real World Print Production by Claudia McCue (Peachpit/Adobe Press) Courtesy of Practicalia, LLC Real World Print Production by Claudia McCue Signed by the Author

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1 of Adobe InDesign CS/CS2 Breakthroughs by David Blatner & Anne-Marie Concepcion (Peachpit/Adobe Press) Courtesy of David Blatner and Anne-Marie Concepcion Adobe InDesign CS/CS2 Breakthroughs by David Blatner & Anne-Marie Concepcion Adobe InDesign is taking the publishing world by storm and users are hungry for breakthrough solutions to their myriad concerns—from how best to manage the program’s sometimes unwieldy interface to how to produce quality PDF files. Page-layout guru David Blatner and veteran trainer Anne-Marie “HerGeekness” Concepción have scoured the online forums, interviewed Adobe engineers, and gathered together answers to over 200 of the most-commonly asked questions. Written in a sassy, fun-to-read style, this book tackles every major InDesign problem with a lay-it-on-the-line solution. Adobe InDesign CS/CS2 Breakthroughs is for anyone who has been using InDesign long enough to realize that the solution to their problems isn’t always as obvious as one would expect.

1 of Adobe Illustrator CS2 @work: Projects You Can Use on the Job by Pariah S. Burke (SAMS Publishing) Courtesy of Pariah S. Burke Adobe Illustrator CS2 @work: Projects You Can Use on the Job by Pariah S. Burke Signed by the Author

There are plenty of books available to teach you how to use the different tools that are a part of Adobe Illustrator CS2. But how many will actually show you how to work with the tools and techniques and apply them to real-world, relevant projects that you encounter every day at work? This one will. Adobe Illustrator CS2 @ Work: Projects You Can Use on the Job is a project-based guide that will help you complete workplace projects while you learn how to use Illustrator CS2. Detailed, well-explained instructions will help you accomplish job-related tasks and real world projects.

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1 of BatchOutput 2.2 Courtesy of Zevrix Solutions BatchOutput 2.2 BatchOutput is a powerful professional solution to automate printing and export to PDF and PostScript of multiple InDesign documents. You can also output multipage documents as single pages with variable file names. Just select the documents, adjust the settings and BatchOutput will automatically open and output each document using InDesign’s presets. And because BatchOutput can run in the background, you can still keep working on your computer thus using your production time even more efficiently.

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Next: Second Place Winnings

Second Place Prizes

As the second place winner in the “Design Your Own Creative Suite 3 Icons Competition,” Danny Dioguardi of Canada will receive courtesy of their manufacturers and Quark VS InDesign.com the following prizes, a combined value of more than US$1,800.

Click here to see Danny’s winning icon designs and download them to your computer.

1 of UtilityBelt 3 Courtesy of Andromeda Software, Inc. UtilityBelt 3 UtilityBelt is Andromeda’s most versatile plug-in collection for InDesign. Andromeda is dedicated to making InDesign quicker and easier to use than ever before. With the three UtilityBelt plug-ins: CTBar, TypeEffects, and the latest addition, ChartMaker, you can spend more time on the stuff that matters.

1 of The Design Box Brochure Design Cards Courtesy of StockLayouts LLC The Design Box Brochure Design Cards The Design Box Brochure Design Cards is a handy, first-of-a-kind card deck of 50 professionally-designed brochure layouts. It provides hundreds of ideas for designing marketing pieces for a diverse variety of business types. Beautifully presented in a slide-out box, these at-a-glance cards can be used to help dial in client preferences, or as a design resource for the office or studio. Intended to serve as inspiration for developing practical, real-world marketing pieces, the full-color designs are created in traditional page sizes. With attention-grabbing copy, compelling color palettes, masterful use of typography, and numerous original design styles to choose from, this card deck is an affordable source of new design ideas.

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PointControl_CS2 - Handy path and point editing functions in one easy to use floating palette.
Zoom to Selection_CS2 - Adds three new commands to the view menu. Zoom To, Zoom From and Fit Selected.
Select Effects_CS2 - Quickly identify objects that may cause problems when printing or flattening.
WhiteOP2KO - Reset all white text and path object overprints to knock-out.

1 of PageControl for InDesign CS/CS2 1.0 Courtesy of Quark VS InDesign.com PageControl for InDesign CS/CS2 1.0 Introducing Page Control for InDesign CS and InDesign CS2, the first collaboration between DTP Tools and Pariah S. Burke. With Page Control, your InDesign documents are no longer limited to a single page size. Inserts and foldouts can be created without kludgy workarounds involving multiple documents, the book palette, or extra imposition work.

Resize an entire spread or the left and right pages independently. Build and apply master pages of different sizes. Expand the pasteboard for more working room. All from InDesign’s own Pages palette. And, the free reader plug-in means never worrying about compatibility with service providers. Take control of your pages with Page Control for InDesign CS and CS2

1 of Magma Effects 1 Courtesy of RogueSheep Magma Effects 1 Magma Effects allows you to apply a variety of image-enhancement and stylizing effects directly to any bitmap image placed in Adobe InDesign. Enhance photos with color adjustments, sharpening or white point adjustment. Apply special effects such as star-shines and zoom-blurs or glass distortion. Make your images stand out with style by applying spotlight, bloom or shaded material effects. All without leaving Adobe InDesign for another application.

1 of LinkOptimizer 2.0 Courtesy of Zevrix Solutions LinkOptimizer 2.0 LinkOptimizer will help you save valuable storage space, time and reduce production costs by reducing the size of images linked to your InDesign documents. It automatically reduces the image resolution, scales and crops images in Photoshop according to their dimensions in the InDesign document and the target resolution specified, and reimports them to InDesign at 100%. LinkOptimizer also allows to convert image colors, adjust sharpness, specify image safety bleed and more.

1 of InPreflight 1.5 Courtesy of Zevrix Solutions InPreflight 1.5 InPreflight is a comprehensive quality control solution for Adobe InDesign that lets you quickly and easily locate potential problems and produce error-free documents.

InPreflight provides a robust, fast, user-friendly and affordable preflight solution for service providers, printers, ad agencies, designers and publishing houses. It gives extensive information about all document’s fonts, colors and links and allows to quickly spot potential problems according to user defined preflight settings.

InPreflight saves you hours of checking their documents manually and dealing with consequences of costly mistakes.

1 of InEventScript 1.0.3 Courtesy of RogueSheep InEventScript 1.0.3 InEventScript allows you to automate complex or repetitive processes in Adobe InDesign or Adobe InCopy by assigning scripts to the everyday actions users take in InDesign. Anything you can script can be associated to user actions in InDesign. InEventScript allows you to streamline your workflow with ease.

1 of Real World Print Production by Claudia McCue (Peachpit/Adobe Press) Courtesy of Practicalia, LLC Real World Print Production by Claudia McCue Signed by the Author

Written by a prepress and printing professional, this book well help you prepare files that actually print correctly–without those annoying 3:00AM phone calls from your printer!

1 of Real World InDesign CS2 by Olav Martin Kvern & David Blatner (Peachpit/Adobe Press) Courtesy of Olav Martin Kvern and David Blatner Real World InDesign CS2 by Olav Martin Kvern & David Blatner You’ve mastered page design and can easily work your Quark magic. Now you are ready to take the plunge and switch to Adobe InDesign CS2 and you need to learn and start successfully using the award-winning software, immediately! Real World Adobe InDesign CS2 has all the industrial-strength techniques and time-saving tips you need to start laying out, proofing, and printing pages with InDesign CS2, without missing a beat or a deadline! You’ll find everything you need here to master InDesign’s advanced page layout tools, manage color, snippets, use the Bridge effectively, and more. You’ll also find complete coverage of InDesign CS2’s new features: Object Styles, Photoshop and Adobe PDF layer support, using InCopy, Smarter text handling, flexible XML support, and much more. Written by pros for design pros, this book has all the real-world, industrial-strength InDesign CS2 techniques that will make all the difference in your fast-paced production environment!

1 of Real World Creative Suite 2 by Sandee Cohen & Steve Werner (Peachpit/Adobe Press) Courtesy of Sandee Cohen and Steve Werner Real World Creative Suite 2 by Sandee Cohen & Steve Werner Signed by the Authors

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1 of Illustrator CS2 FAQs by Mordy Golding (Lynda.com) Courtesy of Mordy Golding Illustrator CS2 FAQs by Mordy Golding As the former product manager for Adobe Illustrator 10 and CS, instructor Mordy Golding knows the challenges that users face when learning and exploring Illustrator CS2. Illustrator CS2 FAQs answers each common question about the program in detail. Mordy covers changing object and preference characteristics, adding security to PDF files, using filters and effects, importing and exporting files, understanding ambiguous terminology, and troubleshooting common issues. Illustrator CS2 FAQs is designed for viewing as a series of tutorials, or on a topic-by-topic basis for handy everyday reference. Exercise files accompany the tutorials.

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1 of Adobe Illustrator CS2 @work: Projects You Can Use on the Job by Pariah S. Burke (SAMS Publishing) Courtesy of Pariah S. Burke Adobe Illustrator CS2 @work: Projects You Can Use on the Job by Pariah S. Burke Signed by the Author

There are plenty of books available to teach you how to use the different tools that are a part of Adobe Illustrator CS2. But how many will actually show you how to work with the tools and techniques and apply them to real-world, relevant projects that you encounter every day at work? This one will. Adobe Illustrator CS2 @ Work: Projects You Can Use on the Job is a project-based guide that will help you complete workplace projects while you learn how to use Illustrator CS2. Detailed, well-explained instructions will help you accomplish job-related tasks and real world projects.

1 of EasyFlow CS2 Courtesy of 65BIT SOFTWARE EasyFlow brings ‘Automatically Insert Pages’ to InDesign

Ideal for anyone who deals with large runs of text, EasyFlow will automatically insert new pages when a master text frame is overset.

1 of BatchOutput 2.2 Courtesy of Zevrix Solutions BatchOutput 2.2 BatchOutput is a powerful professional solution to automate printing and export to PDF and PostScript of multiple InDesign documents. You can also output multipage documents as single pages with variable file names. Just select the documents, adjust the settings and BatchOutput will automatically open and output each document using InDesign’s presets. And because BatchOutput can run in the background, you can still keep working on your computer thus using your production time even more efficiently.

1 of Artistic Screening Tools Courtesy of Andromeda Software, Inc. Artistic Screening Tools Artistic Screening Tools collection contains 3 award winning mezzotint and engraving plug-ins for Photoshop: Series 3 Screens, Cutline, and Etchtone filters. Series 3 creates a wide variety of mezzo and line art. Cutline creates digital engraving and woodcuts with 4 screens exceptionally suited for replicating hand engraved and woodcut effects. Etchtone provides etched continuous tone output that resembles old-age printing for black and white or color images.

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Download a free trial issue.

Next: Third Place Winnings

Third Place Prizes

As the third place winner in the “Design Your Own Creative Suite 3 Icons Competition,” Vito Zgonik of the United Kingdom will receive courtesy of their manufacturers and Quark VS InDesign.com the following prizes, a combined value of US$1,050.

Click here to see Vito’s winning icon designs and download them to your computer.

1 of The Design Box Brochure Design Cards Courtesy of StockLayouts LLC The Design Box Brochure Design Cards The Design Box Brochure Design Cards is a handy, first-of-a-kind card deck of 50 professionally-designed brochure layouts. It provides hundreds of ideas for designing marketing pieces for a diverse variety of business types. Beautifully presented in a slide-out box, these at-a-glance cards can be used to help dial in client preferences, or as a design resource for the office or studio. Intended to serve as inspiration for developing practical, real-world marketing pieces, the full-color designs are created in traditional page sizes. With attention-grabbing copy, compelling color palettes, masterful use of typography, and numerous original design styles to choose from, this card deck is an affordable source of new design ideas.

1 of Suitcase Fusion 12 Courtesy of Extensis Suitcase Fusion 12 Suitcase Fusion, a Universal Application, is the only industrial-strength, professional font manager with Font Sense™ technology to ensure exact font matching and auto-activation. Suitcase Fusion is also equipped with font repair functionality and a secure and structured font repository—Font Vault—that eliminates unnecessary duplicates and provides easy access to a central library of clean, optimized fonts.

1 of PhotoTilerPro 2 Courtesy of Andromeda Software, Inc. PhotoTilerPro 2 An essential plug-in for Adobe InDesign users. PhotoTiler Proâ„¢ can be used to automatically create a multi-page InDesignâ„¢ document containing entire folders full of digital photos. With PhotoTiler Proâ„¢ you can use InDesignâ„¢ to easily print high resolution documents or pages containing many pictures arranged in a regular row and column format. Perfect for print or web image organization, photo albums, catalogs, real estate ads, and car ads.

1 of PageControl for InDesign CS/CS2 1.0 Courtesy of Quark VS InDesign.com PageControl for InDesign CS/CS2 1.0 Introducing Page Control for InDesign CS and InDesign CS2, the first collaboration between DTP Tools and Pariah S. Burke. With Page Control, your InDesign documents are no longer limited to a single page size. Inserts and foldouts can be created without kludgy workarounds involving multiple documents, the book palette, or extra imposition work.

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1 of LinkOptimizer 2.0 Courtesy of Zevrix Solutions LinkOptimizer 2.0 LinkOptimizer will help you save valuable storage space, time and reduce production costs by reducing the size of images linked to your InDesign documents. It automatically reduces the image resolution, scales and crops images in Photoshop according to their dimensions in the InDesign document and the target resolution specified, and reimports them to InDesign at 100%. LinkOptimizer also allows to convert image colors, adjust sharpness, specify image safety bleed and more.

1 of Instant PDF Courtesy of Enfocus Software Instant PDF Enfocus Instant PDF removes the uncertainty and technical complexity from the PDF creation process. PDF Queues guide the entire PDF creation and preflight process, while the built-in synchronization feature guarantees PDF Queues remain up-to-date. Instant PDF provides document creators and receivers the functionality they need to achieve consistent PDF output and quality control.

1 of InPreflight 1.5 Courtesy of Zevrix Solutions InPreflight 1.5 InPreflight is a comprehensive quality control solution for Adobe InDesign that lets you quickly and easily locate potential problems and produce error-free documents.

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1 of ID2Q (Adobe InDesign to QuarkXPress) Courtesy of Markzware ID2Q (Adobe InDesign to QuarkXPress) ID2Q Offers QuarkXPress users a quick and easy way to convert InDesign files into QuarkXPress documents with all elements of the InDesign document, including object positions, colors, text, text attributes, images, etc. with a single click.

1 of Teach Yourself Adobe Creative Suite 2 All in One by Mordy Golding (SAMS Publishing) Courtesy of Mordy Golding Teach Yourself Adobe Creative Suite 2 All in One by Mordy Golding Signed by the Author

If you are faced with the challenge to learn the Adobe Creative Suite, you probably also find yourself faced with the challenge of carrying five big books to help you learn all that you need to know. Why take on more than is necessary? Sams Teach Yourself Adobe Creative Suite 2 All in One has all the answers to your Adobe Creative Suite questions in one easy-to-use book. You will learn all of the products and technologies in a logical, well-integrated fashion. Understand the fundamentals of how they work separately and together to maximize your potential with:

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1 of Real World Illustrator CS2 by Mordy Golding (Peachpit/Adobe Press) Courtesy of Mordy Golding Real World Illustrator CS2 by Mordy Golding Signed by the Author

How do you define a serious Illustrator user? How about one who uses Illustrator to produce robust and professional-looking vector graphics but also needs the program to be flexible and efficient in workflow and production cycles. If this describes you or the user you strive to be, then you need this book Filled with the industrial-strength techniques and best practices required to get you up to speed fast on Illustrator CS2 without missing a beat in your production workflow, Real World Adobe Illustrator CS2 is the definitive reference for the serious Illustrator user. Thoroughly updated for this version of the software, Illustrator pro Mordy Golding offers a complete guide to the new features such as Live Trace, Live Paint, the Control Palette, Custom Workspaces, and expanded support for Mobile devices, to name a few. You’ll also find practical insights on creating type, symbols, graphs, color, effects, Web graphics, and more.

1 of InDesign CS2 for Macintosh and Windows (Visual QuickStart Guide) by Sandee Cohen (Peachpit) Courtesy of Sandee Cohen InDesign CS2 for Macintosh and Windows (Visual QuickStart Guide)  by Sandee Cohen Signed by the Author

Using the task-based, visual approach that has become the hallmark of Peachpit’s popular Visual QuickStart Guides, this volume provides a fast, easy, comprehensive introduction to everything InDesign. You’ll learn about all aspects of the InDesign interface, including its tools and palettes, as well as how to create documents and master pages, import and style text and objects, automate your work, manage long documents, use the Bezier pen tools,create interactive PDF elements, and work with color. You’ll also learn how to use the new Adobe Bridge file browser to locate, manage, and drag and drop assets easily into your InDesign layouts. You’ll find a new chapter on working with InCopy, complete coverage of more advanced topics (like preflighting and advanced text control) and a thorough introduction to all of InDesign’s productivity-enhancing features and tools.

1 of Adobe Illustrator CS2 @work: Projects You Can Use on the Job by Pariah S. Burke (SAMS Publishing) Courtesy of Pariah S. Burke Adobe Illustrator CS2 @work: Projects You Can Use on the Job by Pariah S. Burke Signed by the Author

There are plenty of books available to teach you how to use the different tools that are a part of Adobe Illustrator CS2. But how many will actually show you how to work with the tools and techniques and apply them to real-world, relevant projects that you encounter every day at work? This one will. Adobe Illustrator CS2 @ Work: Projects You Can Use on the Job is a project-based guide that will help you complete workplace projects while you learn how to use Illustrator CS2. Detailed, well-explained instructions will help you accomplish job-related tasks and real world projects.

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Official Competition Information

Competition Overview

The competition was to design new icons for Adobe products, with the Creative Suite 3 application icons at their core. Entrants had todesign at least three (3) icon-sized representations of at least Photoshop, Illustrator, and one other CS3 application. The more icons redesigned, the better.

At the end of the contest all entries in the contest were published on Quark VS InDesign.com and made available for free download as both Mac- and Windows-format icons, ready for use on desktops, docks, and file systems across the globe. Each entrant’s name (or team name), studio/company, and Website is listed with the icons she designed, thus promoting to Quark VS InDesign.com’s many readers and icon enthusiasts a global community of designers.

The contest ran for three months, with entries accepted from 29 January 2007 through 23 April 2007. Winners were announced on Quark VS InDesign.com 1 May 2007.

Eligibility

The Quark VS InDesign.com Design Your Own Creative Suite 3 Icons Competition was open to virtually anyone, anywhere in the world–even to Adobe employees!

Eligibility was exceedingly simple: You must not work for me, and you must be a citizen of planet earth.

If you work for or are related to Pariah S. Burke, I’m afraid you’re ineligible. Sorry, Mom, Sam, Jeremy, Elisabetta, and everyone else in this group. (If you don’t fall into the this group but do owe me money, you have to square with me before you can enter.)

To enter and win the contest you must be a citizen of planet Earth. We apologize to our design colleagues from the Crab Nebula and the illustrators’ commune on Io, but we have many excellent prizes to award in this contest, and off-planet shipping rates have soared in recent months. If you live in any country on Earth with a postal system capable of delivering prizes to you, then you are eligible to enter this contest.

If you live on planet Earth and I don’t share blood or a pay check with you, you are eligible to enter this contest. It’s even open to employees of prize furnishers!* And, if anyone within Adobe would like to present an alternate idea for the CS3 icons, she is more than welcome to do so.

Non-Competitive Entries

The purpose of this contest is to have fun and to share alternate ideas for Adobe application icons with other users and fans of Adobe software around the world. To facilitate that goal we have the broadest possible eligibility requirements, but for those who don’t meet eligibility to win the contest (as well as those who may wish to participate anonymously), there is an opportunity to contribute to the icon designs without competing in the contest. On the contest entry form is a checkbox–“I am not competing to win.” If you check that box, your icon designs will not be judged as a possible winner, but will be made available for download free to all comers at the end of the contest, and will promote you, your company, and the Website address you provide.

Because non-competitive contributions are not considered when judging winners and awarding prizes, anyone may submit CS3 icon designs in this manner–even my mother, assistant, and our friends in the Crab Nebula! (People who owe me money must still settle up!)

* If an employee of a prize furnisher wins, the prize(s) provided by the winner’s company will be awarded to one of the other winners.

Entry Details

In order to be considered valid, entries had to meet the following submission criteria:

  • Include at least three (3) icons for Creative Suite 3 applications, including ones for Photoshop, Illustrator, and a third of your choosing. Icons for any Adobe application will be accepted as the third or additional icon designs. QuarkXPress fans may also submit a redesigned icon for that application as the third or additional icon designs. The more icons you enter for different Adobe (or Quark) applications, the better we will be able to judge the cohesion of your theme. (Why stop at three anyway? It’s so fun to make icons!)
  • Be original designs created by the entrant and free from any copyright or trademark claims that would hinder our ability to distribute the final designs on Quark VS InDesign.
  • Be delivered as 24- or 32-bit RGB PSD, AI, or PNG files. Designs are not required to be full color–if you want to submit grayscale designs, do so–but the file format must be RGB in a high color space. Embedding of an ICC profile is optional, but encouraged.
  • Each submitted file must contain only one (1) icon design. Thus, you must submit a minimum of three documents in an eligible entry.
  • Submitted documents must be entitled only with the name of the application they represent. For instance, a PSD containing a design for an InCopy icon must be saved as “incopy.psd”; an Illustrator document containing an icon for Adobe Flash should be saved under the file name “flash.ai.”
  • All designs must be a maximum of 256x256 pixels and a minimum of 64x64 pixels. We will take care of resizing them and providing Mac- and Windows-compatible icon files of all standard sizes (e.g. 16x16, 32x32, 48x48, and so on).
  • All documents must be compressed together in a .ZIP archive and submitted with the entry form. (Instructions are in the entry form.)

Even Better

Contestants were able to enter up to three (3) different sets of designs. Although an entrant could only win once, all the designs submitted were considered eligible for winning the contest. Also, up to three (3) contributed sets of icons will be presented for download from Quark VS InDesign.com at the end of the contest, with accompanying credit to the contestant and a hyperlink to her Website.

Deadline for Entry

Entries were accepted until Midnight Pacific Time on 23 April 2007. That was three extra hours for you New Yawk designers, and eight more hours for you Greenwich folks and those in the military counting Zulu time. All submissions had to be delivered through the PDF entry form that was provided during the contest, and received by the Quark VS InDesign.com mail servers no later than 00:00 24 April 2007. After that, we began forwarding the mail to the FBI saying entrants were spamming us (just kidding).

The entry form was written in English (or as close an approximation as my American education allows), and, although the contest was open to all language speakers currently residing on planet Earth, they had to be able to read, understand, agree to, and follow the terms and instructions as written in English. All information provided by entrants, and all correspondence between entrants and Quark VS InDesign.com and/or prize furnishers in connection with this contest was conducted in English (mostly because I don’t know more than a few colorful phrases in any other language).

Contact and Press Information

Questions? Praise? Complaints? Marriage proposals? Please contact the publisher (me) using the means on the Contact page.

View the press release announcing the winners here.

View the press release announcing this contest here.

Members of the press may download Quark VS InDesign.com logos here (Zip, 8.2 MB).