1. Beginning with a spread of so far unassigned frames, select all the frames that must be assigned. Right-click and choose InCopy > Add to Assignment > New.
2. Save the .INCA file, then choose the options for the first assignment. All frames from the current page will generate entries on the Assignment palette.
3. Click the New Assignment button on the bottom of the Assignments palette, save the .INCA file, and then choose the options for the second assignment. It too will appear as an assignment entry in the Assignments palette, but will contain no stories. Repeat this until you have all the assignments you need; all but the first will be empty.
4. On the Assignments palette, select and drag the needed stories from the first assignment to the desired subsequent assignment. When all stories are distributed, save your document and choose Update All Assignments from the palette menu.
Removing content from assignments–unassigning the frames–is just as easy; at the bottom of the Assignments palette is an entry for Unassigned InCopy Content. This little feature is great time saver when freezing articles; if the article must be unfrozen at any later time, just drag the unassigned content back into an assignment, save, and update. It will then be available once again to the InCopy-based editor who doesn’t understand the meaning of the word frozen.
Pushing your layout changes to InCopy users, so they see the most recent version of your design and each other’s assignments in the InCopy layout view, occurs automatically when you choose Update Selected Assignment or Update All Assignments from the Assignments palette flyout menu. When you update assignments in InDesign, InCopy is notified through LiveEdit that the layout has changed, creating yellow caution signs to alert InCopy users to update the design from with their Assignments palettes.
Canceling Collaboration
On occasion, writers or editors will forget to check in their assignments when you need them. Upon closing InCopy they would be prompted to save and check in any outstanding stories, but you know how writers can be–it may be days before they actually exit their word processor. So, are you stuck, your entire publication hanging over the weekend, destined to blow its Monday AM deadline because somebody in Editorial forgot to check in the story before heading home Friday evening? Of course not! You’re the master, remember?
If you ever find yourself in this dilemma, follow the below steps. Caution: Be aware, however, that, if the writer didn’t save her stories in InCopy, any changes will be lost.
1. In most cases, although an Editorial staffer forgot to check in an assignment, she will have saved the stories. Saving, of course, updates the .INCX files on the server. Therefore, your first step is to select Update Assignment from the Assignments palette menu.
2. Select the checked out frame(s) and open the Links palette. The relevant .INCX files will be highlighted.
Parents, at this point, please ask your young editors to leave the room. The following is information for Production only.
3. At this point, if you look on the Assignments palette menu, the Check Out command will be grayed out. Here’s a secret: The Links palette also has a Check Out command. From the Links Palette flyout menu choose Check Out. InDesign will alert you that the .INCX file is already checked out, but it will also give you the option to embed the content and check it out. You’ll be prompted once for each frame or .INCX file.
4. Edit the content as needed.
5. If the assigned .INCX content needs to be accessed by Editorial afterward–say, for the next issue or edition–unembed the content again by choosing Edit > InCopy > Unembed Story. The frames will then be relinked to their original and still existing .INCX files, but you’ll need to add them again to assignments manually.
When you get to step three above, overriding someone else’s check out, you may be tempted to use the Unlink command on the Links palette menu. At first, it may appear to have the same function as Check Out, but there are distinct differences. Unlink embeds the story, true, but it foregoes check out. The selected frame is embedded and treated as a normal, native InDesign object; there will be no option to relink it to an .INCX file. Moreover, none of the unlink or checkout commands can be completely undone with CMD+Z/CTRL+Z. Be careful.
In addition to the Links palette flyout menu, there is a Check Out command under InCopy on the context-sensitive menu. These are identical in function, so use whichever method is more convenient for you.
If the .INCX files have moved or for some other reason won’t automatically relink when you choose Unembed Story, there’s a fast work-around: Undo the Unembed Story command, then select Unembed File from the Links palette flyout menu. Going that route will cause InDesign to prompt you about re-linking to the original files or shuffling the content out to newly created files, and, if the former, enable you to browse for them.
Finalizing Collaboration
Collaboration begins with the Production department, and it must also end there. As in any successful monarchy, the ruler establishes the foundation, delegates the manual labor (copyfitting and copy changes) to minions, but always checks over the work of minions before trusting that a project is built correctly.
During your final check of the layout before press, follow this LiveEdit-specific final checklist:
- No assignments in the Assignments palette display red circles or yellow triangles.
- No frames in the Unassigned InCopy Content section of the Assignments palette display yellow triangles.
- No stories are checked out.
- There are no notes in the document.
As you may recall, the LiveEdit plug-ins installed a Notes tool and Notes palette. Notes allow Production and Editorial to communicate with, and among, each another with discreet annotations embedded within stories. Because notes do not print unless someone deliberately directs them to in the Print dialog, it’s not really necessary to remove them. If your hands are the last to touch the InDesign document–if you’re printing it PostScript or exporting PDF, for example–you may elect to leave notes. But if you’re packaging and sending native .INDD files somewhere… Well, are you absolutely positive no one will check that little box in the Print dialog?
The fastest way to remove notes is to check out all stories for editing by you, open the Notes palette from the Windows menu, and then, from that palette’s flyout menu, choose Remove All Notes.
Should you have the desire to close collaboration permanently, add this to your final checklist: Highlight assignment entries in the Assignments palette, and, from the palette flyout menu, select Delete Assignment. When InDesign prompts for confirmation, answer in the affirmative. Warning: This deletes the .INCA file! To re-create the assignment, you’ll need to select frames and create a new assignment by hand all over again.
In contrast to that drastic move, you can protect the layout from changes while also affording Editorial the opportunity to later print out its assigned content. Simply highlight all the .INCX files in the Links palette and choose Unlink from the palette’s menu. Again, this completely merges the frames with the document as native InDesign objects.
Final Thoughts
On the Edit menu is the InCopy submenu, which contains such document-wide commands as Add Layer to Assignment, Add All Stories to Assignment, and Add All Graphics to Assignment. The caveat in using these commands is that they will add to the chosen assignment all frames in the document, on all pages, even on master pages. Use with extreme caution.
Though I would hope this goes without saying, if you intend to collaborate across the network, all your assets should be on the server and accessible by both Production and Editorial. Paths to linked images are relative. Even if InCopy users have access to your local harddrive, those unaccustomed to a creative workflow will be confused and frustrated by missing link warnings and the need the relink to assets in InCopy. If you’re an evil master, you should realize that it will come back on you: you’ll have a nightmare on your hands when you update assignments.
Alternative to using assignments, especially with shorter documents, is to have Editorial open the InDesign .INDD files directly in InCopy. See part-one of this series, “InCopy CS2, the World; World, InCopy CS2″, for more on the advantages and limitations of opening .INDD files in InCopy.
Using and managing the LiveEdit workflow myself in InDesign CS2 and InCopy CS2 near daily since May of this year, and having taught dozens of designers to become Masters and Mistresses of the LiveEdit Workflow, I can honestly tell you that the workflow is more complicated to write about than to actually perform. Of course no tutorial or even series of articles can take the place of a consultant or trainer helping you integrate InCopy into your specific workflow. This tutorial covers the most common workflows, and broad strokes.
Follow the simple instructions above–and have Editorial follow next week’s “InDesign/InCopy Collaboration: the Editor,” and both departments should be able to adapt it to your workflow, with the control each of you needs. Moreover, the responsibility for copyediting and copyfitting will finally be borne by the correct set of shoulders, leaving you to focus on the design. Of course, through the Assignments palette you’ll always be able to check in on, and exercise your supreme mastery over, your minions in Editorial.
InCopy CS2: In Production 6‑Part Special Report:
Part 1: InCopy CS2, the World; World, InCopy CS2
Part 2: A Newsletter Designer Looks At InCopy CS2
Part 3: Proposing Efficiency with InCopy CS2
This story was updated 13 November to correct certain editorial errors and omissions, including revisions and/or additions to the “Canceling Collaboration,” “Finalizing Collaboration,” and “Final Thoughts” sections.
Special thanks to Anne-Marie Concepcion–one of those “handful” of instructors who knows and understands InCopy.
Why is nothing said about CopyDesk and XPress? that’s where this workflow originaly came from, Quark Invented these concepts and have taken them even further now with XPress 7. This is the first time I have been on this site, I saw the title and thought it would be intresting to read, but It is really an Adobe run site, very misleading about the programs themself where QuarkXPress is concerned and very much focuced on what they did wrong. Which I agree is a lot to get over but we have to make money and stay ahead of the game, and to do this we need correct information based of fact and experiance, This site gives none. It’s just the Adobe marketing tool it needs to be.