Interview: Let’s Talk InCopy with Chad Siegel

QvI What is the for­mu­la, cri­te­ria, or thought process that deter­mines whether InCopy will include a fea­ture out of the box or leave it up to SIs to address?

CS Our goal is to enable Adobe part­ners to pro­vide new lev­els of automa­tion and effi­cien­cy in high-end edi­to­r­i­al work­flows while also address­ing the needs of small­er col­lab­o­ra­tive edi­to­r­i­al work­groups who either don’t have the need or bud­get for a full-blown sys­tem. Doing so ensures that cus­tomers receive the widest breadth and depth of options which can be tai­lored to meet their needs. As men­tioned pre­vi­ous­ly, the nature of col­lab­o­ra­tion is dif­fer­ent depend­ing on the size of a work­group, the fre­quen­cy of a pub­li­ca­tion, the under­ly­ing tech­nol­o­gy infra­struc­ture and need for cus­tomiza­tion. Larger work­groups need database-driven work­flow man­age­ment sys­tems which can be cus­tomized to meet their spe­cif­ic work­flow. These are avail­able from SIs and third-party devel­op­ment part­ners. So we add fea­tures to InCopy that offer the broad­est ben­e­fit to edi­to­r­i­al cus­tomers, leav­ing fea­tures that require the enforce­ment of spe­cif­ic work­flow process­es to our devel­op­ment part­ners who are bet­ter suit­ed at cus­tomiz­ing solu­tions to fit spe­cif­ic work­flow needs.

QvI How do you jus­ti­fy these deci­sions to small-team con­tent cre­ators who need access con­trol or edi­to­r­i­al over­sight but don’t need–and can’t afford–the oth­er bells and whis­tles of large pub­lish­ing sys­tems like K4?

CS As pre­vi­ous­ly men­tioned, our goal is to empow­er our part­ners, not com­pete with them. A num­ber of dif­fer­ent edi­to­r­i­al work­flow solu­tions are avail­able for InCopy and InDesign from sys­tems inte­gra­tors and part­ners. These scale from solu­tions for high vol­ume, large pub­lish­ing oper­a­tions all the way down to small edi­to­r­i­al work­groups. For exam­ple, Woodwing pro­vides Smart Connection, Smart Connection Pro, and Smart Connection Enterprise. Each rep­re­sents an incre­men­tal increase in func­tion­al­i­ty, robust­ness, cus­tomiza­tion and price. So there are some low­er end solu­tions avail­able from third-parties that go beyond what Adobe pro­vides with InCopy directly.

QvI High-distribution, large pub­lish­ing work­flows like Cox’s news­pa­pers, Hearst, Rodale Publishing, Meredith Publishing, Metroland Printing, Publishing & Distributing, and oth­ers have switched to InDesign and InCopy. Certainly, for any pub­lish­ing appli­ca­tion or sys­tem to gain hold in the mar­ket the major play­ers must embrace it. But, what does InCopy bring to small pub­lish­ing work­flows? Does a sub-10,000 cir­cu­la­tion alter­na­tive news week­ly, for exam­ple, even have a place for InCopy?

CS InDesign and InCopy-based solu­tions range from high-end sys­tems to light-weight options which are well-suited for small­er work­groups. As men­tioned before, these small­er work­groups are more organ­ic in their approach to col­lab­o­ra­tion and there­fore don’t have such fixed notions of work­flow. Frequently they don’t have robust IT sup­port and cer­tain­ly don’t have the bud­get for large sys­tems. So our direct sales strat­e­gy and part­ner­ships are meant to meet the needs of small­er work­groups as well.

QvI We know about full InCopy-based solu­tions from SIs like Managing Editor, but what about the lit­tle stuff? What third-party plug-ins are avail­able to extend the func­tion­al­i­ty of InCopy? Including the $249 price of InCopy itself, what kind of InCopy solu­tion can a small pub­lish­er build for under $1,000?

CS Obviously it depends on your work­flow needs, the fre­quen­cy of your pub­li­ca­tion, the size of your work­group, your tech­nol­o­gy infra­struc­ture (data­base dri­ven vs. file-system based solution…etc.). Two edi­to­r­i­al work­flow solu­tions that come imme­di­ate­ly to mind are Woodwing’s Smart Connection and Smart Connection Pro as well as MEI’s TrueEdit, but there are cer­tain­ly oth­ers. I would encour­age read­ers to inves­ti­gate part­ner edi­to­r­i­al work­flow solutions.

QvI Let’s switch from present tense and talk about the future of InCopy. I know you can’t reveal the specifics of the prod­uct roadmap, but give us a gen­er­al sense of where InCopy is heading.

CS Our under­stand­ing of edi­to­r­i­al work­flows and how dif­fer­ent peo­ple con­tribute to it is evolv­ing, and I would imag­ine that InCopy will evolve with it. For exam­ple, the cur­rent InDesign and InCopy work­flow is pred­i­cat­ed on con­trib­u­tors and cre­ative teams work­ing from a shared file sys­tem with­in the same fire­wall. In talk­ing with cus­tomers, we’ve learned that with many work­flows this is not pos­si­ble and we’re now look­ing at ways of mak­ing it eas­i­er to col­lab­o­rate with geo­graph­i­cal­ly dis­perse, remote con­tent con­trib­u­tors to pub­lish­ing workflows.

This is sim­ply one exam­ple of how we’re like­ly to evolve. You can expect InCopy to make it eas­i­er to col­lab­o­rate with an expand­ed set of con­trib­u­tors for a vari­ety of media types and to intro­duce new meth­ods that enable full par­tic­i­pa­tion of con­stituents with­in a broad­er set of pub­lish­ing workflows.

QvI We talked about why InCopy is impor­tant, and who needs it, today. Who will need it in the future? Five years from now, sum­mer 2011, in which indus­tries and pro­fes­sions will InCopy be an integral–or at least desired–part of the dai­ly workflow?

CS As we’ve dis­cussed, InCopy ben­e­fits any cre­ative team in which design­ers and edi­tors need to work in par­al­lel. Right now, cre­atives in mag­a­zines and news­pa­pers under­stand that val­ue propo­si­tion best. However, that per­cep­tion is grow­ing in the cre­ative com­mu­ni­ty and impact­ing how peo­ple are approach­ing edi­to­r­i­al work­flow in book and cat­a­log pub­lish­ing, adver­tis­ing, and oth­er areas. In our expe­ri­ence, this per­cep­tion will con­tin­ue to grow and to reach into areas you might not expect. We recent­ly had some­one who han­dles pro­duc­tion of the bud­get for the President of the United States come to an InDesign User Group meet­ing in Washington, DC because they use InDesign for lay­out and are look­ing for ways to con­tin­u­al­ly improve their process­es. They’re prime can­di­dates for reduc­ing their “time to pub­lish” using InCopy. And they cer­tain­ly work under severe dead­lines. So you’re going to start to see notions of par­al­lel work­flow and edi­to­r­i­al col­lab­o­ra­tion appear­ing in new places like that. In addi­tion, we’re always look­ing at ways to improve cross-media pub­lish­ing process­es. So I would imag­ine we’ll be explor­ing those oppor­tu­ni­ties too. Personal pub­lish­ing is also a rapid­ly grow­ing phe­nom­e­na, so there may be pos­si­bil­i­ties there as well.

QvI What doesn’t the InDesign-InCopy work­flow do today that you’d like to see it tak­ing on in the near future?

CS I’d like to see it facil­i­tate more types of col­lab­o­ra­tion as well as expand sup­port for more per­son­al types of pub­lish­ing such as con­tri­bu­tion to blogs, wikis, etc. One of Adobe’s strengths is the broad range of tech­nolo­gies we have for near­ly every medium–print, Web, mobile, audio, video, DVD pub­lish­ing. I envi­sion inte­grat­ing with more of these tech­nolo­gies so we can keep up with cus­tomer­s’ evolv­ing notions of edi­to­r­i­al con­tent. We need to make it eas­i­er to cre­ate and edit con­tent for alter­na­tive media types.

QvI Think about the rain­bow of print and dig­i­tal con­tent pub­lish­ing work­flows out there now and emerg­ing dai­ly. Now, if you would, indulge in a lit­tle fan­ta­sy and tell us your unbri­dled vision for the future of publishing–say, ten years out. Where does InCopy fit into that vision?

CS We’re see­ing a num­ber of mar­ket trends that promise to change the nature of edi­to­r­i­al con­tent as we under­stand it today: the explo­sion in dig­i­tal media cre­ation and con­sump­tion, an empha­sis on per­son­al pub­lish­ing and expres­sion, as well as a shift towards con­tent dri­ven, cross-media workflows.

From dig­i­tal cam­eras, to cel­lu­lar phones, to iPods, there’s been a colos­sal increase in the vari­ety of ways in which con­sumers inter­act and engage with media. Not only is this increas­ing the ways in which con­sumers receive con­tent, but also has made it much eas­i­er for peo­ple to cre­ate, share and dis­trib­ute that con­tent. With bar­ri­ers to a vari­ety of rich­er con­tent types falling and new dis­tri­b­u­tion chan­nels emerg­ing it’s quick­ly becom­ing a require­ment for pub­lish­ers want­i­ng to dif­fer­en­ti­ate their brand to cre­ate more engag­ing and per­son­al­ized expe­ri­ences to con­nect with their cus­tomers. From Postscript to PDF to Flash, Adobe has tools and tech­nolo­gies that will help pub­lish­ers meet that chal­lenge. It’s inef­fi­cient for pub­lish­ers to build dis­parate and poten­tial­ly redun­dant process­es around pub­lish­ing to each media type–print, Web, mobile, etc.–and so I can imag­ine many work­flow process­es will begin to con­sol­i­date. Since most pub­lish­ing work­flows begin with the cre­ation, acqui­si­tion and edit­ing of edi­to­r­i­al con­tent, I can see the con­sol­i­da­tion of edi­to­r­i­al being a key enabler for single-source, cross-media pub­lish­ing. By this I mean that we’re begin­ning to see a broad­er need for con­tent types to shift from being print or web or audio spe­cif­ic with re-purposing hap­pen­ing as an after­thought to becom­ing one source which can then be used for print, Web, mobile or any oth­er future chan­nel. InCopy’s edi­to­r­i­al focus and sup­port for col­lab­o­ra­tive work­flow make it well posi­tioned to evolve into an easy to use tool that enables the cre­ation and edit­ing of con­tent for mul­ti­ple media. This is an impor­tant role in such a future vision.

QvI Adobe is com­mit­ted to a PDF-based work­flow, Microsoft to an Office-based with its fla­vored XML Metro. Both com­pa­nies know that own­ing the enter­prise dig­i­tal con­tent cre­ation work­flow is cru­cial to their sur­vival. As far as the aver­age enter­prise user knows, Microsoft Word is, and has been for the last fif­teen years, the only word proces­sor in exis­tence. Between PDF, the PDF Print Engine, Flash-based tech­nolo­gies, the LiveCycle PDF forms plat­form, and the obvi­ous ramp­ing up of InDesign to replace both the aged FrameMaker as well as the PDF forms lay­out appli­ca­tion LiveCycle Designer, Adobe is march­ing full gal­lop at Metro. The linch­pin of Microsoft’s Metro strat­e­gy is Word. To breach the fortesss-like walls Word has erect­ed around the enter­prise, Adobe needs a robust word proces­sor capa­ble of answer­ing the con­tent pub­lish­ing needs of a broad spec­trum of enter­prise users. InCopy is there­fore the best posi­tioned to become the sharp­ened point of Adobe’s PDF work­flow bat­ter­ing ram. Is that the case? Is InCopy, with LiveEdit inte­gra­tion with InDesign, Dreamweaver, Flash, and oth­er pub­lish­ing tools, to become Adobe’s “Word Killer”?

CS InCopy and Word have slight­ly dif­fer­ent objec­tives. InCopy is inti­mate­ly tied to InDesign and cre­ative pub­lish­ing work­flows, while Word is a great tool for cre­at­ing busi­ness doc­u­ments. They co-exist and com­ple­ment each oth­er. Where there is over­lap we ensure a high-degree of com­pat­i­bil­i­ty between the two. We cer­tain­ly have an oppor­tu­ni­ty to broad­en our sup­port for emerg­ing work­flows and media types but where the objec­tives of the prod­ucts over­lap, our goal is not to dis­place Word but to make it eas­i­er for cus­tomers to get con­tent into their cre­ative pub­lish­ing work­flow. In fact, both InCopy and InDesign have pow­er­ful Word import fil­ters that help edi­tors and design­ers process text by map­ping for­mat­ting to the con­tent even before it hits the InCopy or InDesign page. InCopy can also export RTF which can then be opened in Word.

QvI When will we see InCopy capa­ble of step­ping out­side the edi­to­r­i­al bullpen and onto the aver­age enter­prise desktop?

CS To be clear, our goal is not to dis­place Microsoft’s word pro­cess­ing tool. Our focus is on writ­ers and edi­tors whose job it is to con­tribute and par­tic­i­pate in pro­fes­sion­al cre­ative pub­lish­ing work­flows. First and fore­most we are about improv­ing their expe­ri­ence and find­ing ways to help stream­line col­lab­o­ra­tive edi­to­r­i­al work­flow. Technically, InCopy can be used as a stand-alone word pro­cess­ing appli­ca­tion but the real val­ue is in con­junc­tion with InDesign. So InCopy stands to ben­e­fit any enter­prise that’s cho­sen InDesign as a key com­po­nent of their operation.