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QvI What is the formula, criteria, or thought process that determines whether InCopy will include a feature out of the box or leave it up to SIs to address?
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CS Our goal is to enable Adobe partners to provide new levels of automation and efficiency in high-end editorial workflows while also addressing the needs of smaller collaborative editorial workgroups who either don’t have the need or budget for a full-blown system. Doing so ensures that customers receive the widest breadth and depth of options which can be tailored to meet their needs. As mentioned previously, the nature of collaboration is different depending on the size of a workgroup, the frequency of a publication, the underlying technology infrastructure and need for customization. Larger workgroups need database-driven workflow management systems which can be customized to meet their specific workflow. These are available from SIs and third-party development partners. So we add features to InCopy that offer the broadest benefit to editorial customers, leaving features that require the enforcement of specific workflow processes to our development partners who are better suited at customizing solutions to fit specific workflow needs.
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QvI How do you justify these decisions to small-team content creators who need access control or editorial oversight but don’t need–and can’t afford–the other bells and whistles of large publishing systems like K4?
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CS As previously mentioned, our goal is to empower our partners, not compete with them. A number of different editorial workflow solutions are available for InCopy and InDesign from systems integrators and partners. These scale from solutions for high volume, large publishing operations all the way down to small editorial workgroups. For example, Woodwing provides Smart Connection, Smart Connection Pro, and Smart Connection Enterprise. Each represents an incremental increase in functionality, robustness, customization and price. So there are some lower end solutions available from third-parties that go beyond what Adobe provides with InCopy directly.
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QvI High-distribution, large publishing workflows like Cox’s newspapers, Hearst, Rodale Publishing, Meredith Publishing, Metroland Printing, Publishing & Distributing, and others have switched to InDesign and InCopy. Certainly, for any publishing application or system to gain hold in the market the major players must embrace it. But, what does InCopy bring to small publishing workflows? Does a sub-10,000 circulation alternative news weekly, for example, even have a place for InCopy?
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CS InDesign and InCopy-based solutions range from high-end systems to light-weight options which are well-suited for smaller workgroups. As mentioned before, these smaller workgroups are more organic in their approach to collaboration and therefore don’t have such fixed notions of workflow. Frequently they don’t have robust IT support and certainly don’t have the budget for large systems. So our direct sales strategy and partnerships are meant to meet the needs of smaller workgroups as well.
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QvI We know about full InCopy-based solutions from SIs like Managing Editor, but what about the little stuff? What third-party plug-ins are available to extend the functionality of InCopy? Including the $249 price of InCopy itself, what kind of InCopy solution can a small publisher build for under $1,000?
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CS Obviously it depends on your workflow needs, the frequency of your publication, the size of your workgroup, your technology infrastructure (database driven vs. file-system based solution…etc.). Two editorial workflow solutions that come immediately to mind are Woodwing’s Smart Connection and Smart Connection Pro as well as MEI’s TrueEdit, but there are certainly others. I would encourage readers to investigate partner editorial workflow solutions.
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QvI Let’s switch from present tense and talk about the future of InCopy. I know you can’t reveal the specifics of the product roadmap, but give us a general sense of where InCopy is heading.
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CS Our understanding of editorial workflows and how different people contribute to it is evolving, and I would imagine that InCopy will evolve with it. For example, the current InDesign and InCopy workflow is predicated on contributors and creative teams working from a shared file system within the same firewall. In talking with customers, we’ve learned that with many workflows this is not possible and we’re now looking at ways of making it easier to collaborate with geographically disperse, remote content contributors to publishing workflows.
This is simply one example of how we’re likely to evolve. You can expect InCopy to make it easier to collaborate with an expanded set of contributors for a variety of media types and to introduce new methods that enable full participation of constituents within a broader set of publishing workflows.
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QvI We talked about why InCopy is important, and who needs it, today. Who will need it in the future? Five years from now, summer 2011, in which industries and professions will InCopy be an integral–or at least desired–part of the daily workflow?
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CS As we’ve discussed, InCopy benefits any creative team in which designers and editors need to work in parallel. Right now, creatives in magazines and newspapers understand that value proposition best. However, that perception is growing in the creative community and impacting how people are approaching editorial workflow in book and catalog publishing, advertising, and other areas. In our experience, this perception will continue to grow and to reach into areas you might not expect. We recently had someone who handles production of the budget for the President of the United States come to an InDesign User Group meeting in Washington, DC because they use InDesign for layout and are looking for ways to continually improve their processes. They’re prime candidates for reducing their “time to publish†using InCopy. And they certainly work under severe deadlines. So you’re going to start to see notions of parallel workflow and editorial collaboration appearing in new places like that. In addition, we’re always looking at ways to improve cross-media publishing processes. So I would imagine we’ll be exploring those opportunities too. Personal publishing is also a rapidly growing phenomena, so there may be possibilities there as well.
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QvI What doesn’t the InDesign-InCopy workflow do today that you’d like to see it taking on in the near future?
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CS I’d like to see it facilitate more types of collaboration as well as expand support for more personal types of publishing such as contribution to blogs, wikis, etc. One of Adobe’s strengths is the broad range of technologies we have for nearly every medium–print, Web, mobile, audio, video, DVD publishing. I envision integrating with more of these technologies so we can keep up with customers’ evolving notions of editorial content. We need to make it easier to create and edit content for alternative media types.
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QvI Think about the rainbow of print and digital content publishing workflows out there now and emerging daily. Now, if you would, indulge in a little fantasy and tell us your unbridled vision for the future of publishing–say, ten years out. Where does InCopy fit into that vision?
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CS We’re seeing a number of market trends that promise to change the nature of editorial content as we understand it today: the explosion in digital media creation and consumption, an emphasis on personal publishing and expression, as well as a shift towards content driven, cross-media workflows.
From digital cameras, to cellular phones, to iPods, there’s been a colossal increase in the variety of ways in which consumers interact and engage with media. Not only is this increasing the ways in which consumers receive content, but also has made it much easier for people to create, share and distribute that content. With barriers to a variety of richer content types falling and new distribution channels emerging it’s quickly becoming a requirement for publishers wanting to differentiate their brand to create more engaging and personalized experiences to connect with their customers. From Postscript to PDF to Flash, Adobe has tools and technologies that will help publishers meet that challenge. It’s inefficient for publishers to build disparate and potentially redundant processes around publishing to each media type–print, Web, mobile, etc.–and so I can imagine many workflow processes will begin to consolidate. Since most publishing workflows begin with the creation, acquisition and editing of editorial content, I can see the consolidation of editorial being a key enabler for single-source, cross-media publishing. By this I mean that we’re beginning to see a broader need for content types to shift from being print or web or audio specific with re-purposing happening as an afterthought to becoming one source which can then be used for print, Web, mobile or any other future channel. InCopy’s editorial focus and support for collaborative workflow make it well positioned to evolve into an easy to use tool that enables the creation and editing of content for multiple media. This is an important role in such a future vision.
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QvI Adobe is committed to a PDF-based workflow, Microsoft to an Office-based with its flavored XML Metro. Both companies know that owning the enterprise digital content creation workflow is crucial to their survival. As far as the average enterprise user knows, Microsoft Word is, and has been for the last fifteen years, the only word processor in existence. Between PDF, the PDF Print Engine, Flash-based technologies, the LiveCycle PDF forms platform, and the obvious ramping up of InDesign to replace both the aged FrameMaker as well as the PDF forms layout application LiveCycle Designer, Adobe is marching full gallop at Metro. The linchpin of Microsoft’s Metro strategy is Word. To breach the fortesss-like walls Word has erected around the enterprise, Adobe needs a robust word processor capable of answering the content publishing needs of a broad spectrum of enterprise users. InCopy is therefore the best positioned to become the sharpened point of Adobe’s PDF workflow battering ram. Is that the case? Is InCopy, with LiveEdit integration with InDesign, Dreamweaver, Flash, and other publishing tools, to become Adobe’s “Word Killer�
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CS InCopy and Word have slightly different objectives. InCopy is intimately tied to InDesign and creative publishing workflows, while Word is a great tool for creating business documents. They co-exist and complement each other. Where there is overlap we ensure a high-degree of compatibility between the two. We certainly have an opportunity to broaden our support for emerging workflows and media types but where the objectives of the products overlap, our goal is not to displace Word but to make it easier for customers to get content into their creative publishing workflow. In fact, both InCopy and InDesign have powerful Word import filters that help editors and designers process text by mapping formatting to the content even before it hits the InCopy or InDesign page. InCopy can also export RTF which can then be opened in Word.
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QvI When will we see InCopy capable of stepping outside the editorial bullpen and onto the average enterprise desktop?
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CS To be clear, our goal is not to displace Microsoft’s word processing tool. Our focus is on writers and editors whose job it is to contribute and participate in professional creative publishing workflows. First and foremost we are about improving their experience and finding ways to help streamline collaborative editorial workflow. Technically, InCopy can be used as a stand-alone word processing application but the real value is in conjunction with InDesign. So InCopy stands to benefit any enterprise that’s chosen InDesign as a key component of their operation.
Interview: Let’s Talk InCopy with Chad Siegel
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