Pre-load Your Corporate Colors Into InDesign's Swatches Palette

Everybody knows that cre­ative pro­duc­tiv­i­ty and effi­cien­cy is a huge inter­est of mine. As a con­sul­tant, it’s my specialty–helping cre­ative and pub­lish­ing work­flows elim­i­nate repet­i­tive tasks and inef­fi­cient method­olo­gies so they can spend more time being cre­ative and think­ing about cre­ativ­i­ty than think­ing about their soft­ware and tools. The fol­low­ing tip is one of my favorites because, sim­ple and short as it is, I’ve seen it make a huge dif­fer­ence in the amount of time and man­u­al labor of many creatives–particularly those work­ing on large cam­paigns or in cor­po­rate design departments.

On the Swatches palette fly­out menu is the option to Load Swatches. From where can you load them? Any oth­er InDesign doc­u­ment or the Creative Suite 2 Adobe Swatch Exchange file for­mat (.ASE). So, while work­ing on the sec­ond InDesign lay­out for a client, you can import all the swatch­es you cre­at­ed for the first lay­out. This is a big time saver over recre­at­ing swatch­es man­u­al­ly, which is regret­tably the most com­mon method employed. However, the main point of this tip is to explain how to save even more time and effort.

Do you often use the same group of col­ors? Maybe you have your com­pa­ny’s sig­na­ture col­ors. Maybe you’re work­ing on a multi-document cam­paign using your clien­t’s cor­po­rate col­ors. Maybe you nev­er use InDesign’s default col­or swatch­es. Maybe you just like hav­ing your own spe­cial mix of rich black always on hand. If, for any rea­son, InDesign’s default swatch­es palette does not increase your pro­duc­tiv­i­ty, change it–permanently.

  1. Open InDesign and ensure that all doc­u­ments are closed. Swatches are document-level options, mean­ing they get saved inside doc­u­ments, so it’s impor­tant that there not be any doc­u­ments opened, even minimized.
  2. Now, delete from the Swatches palette any col­ors you nev­er use. Note that any in brackets–None, Black, Paper, and Registration–are “mag­ic” swatch­es and can­not be deleted.
  3. Gotten rid of every­thing you don’t need? Excellent! Now, add every­thing you do fre­quent­ly need. Between the Color palette and the new swatch com­mands on the Swatches palette menu, set up all the process col­ors, tints, spots, gra­di­ents, and so forth that you use at least a cou­ple of times per week. If your fre­quent­ly used swatch­es already exist in oth­er InDesign doc­u­ments, load them in instead of recre­at­ing them man­u­al­ly. From the Swatches palette fly­out menu choose Load Swatches, and then nav­i­gate, one at a time, to the doc­u­ments whose swatch­es you need.
  4. Start a new doc­u­ment. Notice how the new doc­u­ment comes pre-loaded with your swatch­es and only your swatch­es? All new doc­u­ments you cre­ate will have the exact default swatch set you’ve just built, sav­ing you time and effort per doc­u­ment that is bet­ter spent on actu­al­ly designing.

If your list of fre­quent­ly used col­ors changes in the future, just repeat the process. You’ll be sur­prised at how much time this saves on the aver­age layout.

Tomorrow’s Tip o’ the Day will explain how to cre­ate col­or swatch­es in any Creative Suite 2 appli­ca­tion and share them to all oth­er CS2 applications.