Quark: Adobe's Best Friend

Never before have I wit­nessed a com­pa­ny so cre­ative­ly adver­tis­ing the supe­ri­or­i­ty of a prod­uct or com­pa­ny as I have Quark, Inc.‘s efforts toward pro­mot­ing InDesign and Adobe.

MacEdition:

Publishing pro­fes­sion­als who attend­ed a Quark-convened ‘exec­u­tive sum­ma­ry’ in New York last week are still abuzz over the per­for­mance of Quark CEO Fred Ebrahimi… [who] told his squirm­ing guests that ‘the Macintosh plat­form is shrink­ing,’ and that ‘pub­lish­ing is dying.’ He sug­gest­ed that any­one dis­sat­is­fied with Quark’s Mac com­mit­ment should ‘switch to some­thing else,’ although he insist­ed that mak­ing the move to Adobe’s long-Carbonized InDesign pack­age is ‘com­mit­ting sui­cide.’ ‘Everyone was stunned, and most folks left by noon,’ one attendee report­ed. ‘It was awful,’ ” reports MacEdition. 

And then today this…

Wired News: Vaporware 2002: Tech up in Smoke?:

QuarkXPress for Macintosh OS X: Quark’s page-layout sys­tem, QuarkXPress, is prob­a­bly the most eager­ly antic­i­pat­ed appli­ca­tion await­ing con­ver­sion to Apple’s new oper­at­ing sys­tem, Mac OS X. Wisely, Quark has­n’t com­mit­ted to a release date, but, as read­ers not­ed, the OS X ver­sion has seemed just around the cor­ner for the last cou­ple of years. Clearly, many graph­ics enthu­si­asts thought it would appear in 2002. Alas, it did not.

Quark, which has giv­en new mean­ing to the term ‘customer-hostile,’ is now dam­ag­ing Apple with their way, way, way over­due Mac OS X‑native ver­sion of QuarkXPress,” wrote Michael Stango. “Their inep­ti­tude at keep­ing up with the pace of change in the Mac mar­ket is doing more to sell copies of Adobe InDesign than any­one in Adobe’s mar­ket­ing department.” 

What fol­lows is my opin­ion based sole­ly on my decade and a half expe­ri­ence in the design and adver­tis­ing industries.

Quark (the indus­try lead­ing page lay­out pro­gram from 1992–2001) is now more famous–infamous?–than it has ever been. For over a decade it was the defac­to stan­dard for lay­out and pub­li­ca­tion. Virtually every major and minor mag­a­zine relied on QuarkXPress (col­lo­qui­al­ly just “Quark” since they make only one note­wor­thy prod­uct) to prod­uct its pub­li­ca­tions, as did news­pa­pers, adver­tis­ing agen­cies, design firms, ser­vice bureaus, and vir­tu­al­ly any­one else for whom PageMaker was not enough pow­er. Quark was the indus­try stan­dard, much like Photoshop is the unchal­lend­ed indus­try stan­dard for professional-grade imag­ing and pho­to manip­u­la­tion. You want­ed to cre­ate print lay­outs, you learned Quark. Period.

They all hate Quark, even the peo­ple who love it. It’s clunky and inef­fi­cient, and Quark, Inc. treats its cus­tomers like dirt.

In the ear­ly Nineties Quark took over the above major mar­kets from then Aldus PageMaker. PageMaker, though eas­i­er to use and far supe­ri­or in a few key fea­tures, was, over­all, not up to the pow­er and fea­ture­set of Quark. Eventually PageMaker, like the major­i­ty of Aldus, was acquired by Adobe Systems, Inc.. Try as they might, Adobe could not posi­tion PageMaker to take back Quark’s mar­ket dom­i­nance. It was a los­ing bat­tle that Adobe waged for about eight years. Eventually, they came up with a bet­ter plan.

Adobe InDesign was built from the ground up by Adobe. It is the prod­uct of Adobe’s decades of expe­ri­ence build­ing for, and, in large part, defin­ing the design indus­tries. They talked to lay­out artists and pro­duc­tion direc­tors, ad agen­cies and ser­vice bureaus, mag­a­zines and news­pa­pers. They asked: What do you want? Then Adobe answered those requests in the form of InDesign.

When InDesign 2.0 was released January 2002 it was imme­di­ate­ly hailed as the “Quark Killer.” And it is the Quark Killer.

Quark, Inc. fell vic­tim to the same thing that crip­pled Aldus PageMaker and put Quark on top: Complacency. Very lit­tle has changed in Quark since ver­sion 3 way back in 1992(ish). They fix a few bugs, add a small fea­ture or two, with each release, but they don’t make any major improvements.

So Quark has stag­nat­ed. Then InDesign comes along with a supe­ri­or fea­ture set, incred­i­bly bet­ter user inter­face, greater (real) inte­gra­tion with oth­er sta­ples of a design­er’s tool­box Photoshop, Illustrator, Acrobat. Another thing InDesign has that Quark does­n’t is, well, Technical Support and Customer Service agents who don’t schwing cus­tomers. I’ve heard–and expe­ri­enced myself on a cou­ple of occassions–some gen­uine­ly ter­ri­ble ser­vice from Quark reps.

All on its own, InDesign will kill Quark. The pen­du­lum has already swung in a group of indus­tries that can’t afford to swing back and forth.

The out­come is inevitable, but Quark’s tire­less efforts in sup­port of InDesign’s grow­ing mar­ket dom­i­nance is tru­ly admirable. Never before have I wit­nessed a com­pa­ny so cre­ative­ly adver­tis­ing the supe­ri­or­i­ty of a prod­uct or com­pa­ny as I have Quark, Inc.‘s efforts toward pro­mot­ing InDesign and Adobe.

Quark, I applaud you. Bravo! Bravo!

This is a favorite top­ic of mine, so watch this col­umn for more True Life Tales of Quark-Foolery!

26 thoughts on “Quark: Adobe's Best Friend

  1. Blind Energy

    Quark has a lot of iner­tia behind it. Don’t under­es­ti­mate that. That’s is what made the Y2K bug so much of an issue–companies resist­ed change for as long as possible.

    That, added with InDesign’s sig­nif­i­cant issues with print­ing (which is vital to the *print­ing* indus­try) is going to make it an uphill fight at best.

  2. Su

    Have used Quark sev­er­al times (we have it in the office) but I have used PageMaker since the begin­ning, and I can do every­thing with it, no mat­ter what I ask of it. I know I’ll even­tu­aly con­vert to InDesign. 

    I find Quark awk­ward and ugly and clunky. Going over to Quark was NEVER an option.

  3. Su

    Have used Quark sev­er­al times (we have it in the office) but I have used PageMaker since the begin­ning, and I can do every­thing with it, no mat­ter what I ask of it. I know I’ll even­tu­aly con­vert to InDesign. 

    I find Quark awk­ward and ugly and clunky. Going over to Quark was NEVER an option.

  4. Pariah Burke

    Those of who have (and do) work with Quark will agree with you: Quark is awk­ward, ugly, and clunky. InDesign is sim­ply pow­er­ful, beau­ti­ful, and elegant.

  5. Marv Peters

    You know, I’m one of those design­ers who hates Quark Xpress but uses it dai­ly. I have hun­dreds of past files built in Quark which, unless I wish to start a project over because of a small change, keep me com­ing back. I can only say that I love and hate Quark. I pur­chased InDesign 2.0 and would love to try it but I’m too busy to give it a prop­er test run. Then I saw that Adobe was offer­ing a tuto­r­i­al CD to any­one pur­chas­ing InDesign. Brilliant! I called Adobe up and told them of my dilem­ma: I’ve pur­chased InDesign but can’t take the time to learn it. Would they please send me the tuto­r­i­al CD which they were giv­ing away with new pur­chas­es. Now, I knew I pur­chased a cou­ple of months pri­or to the ‘tuto­r­i­al’ offer but thought they would jump at the chance to help a cus­tomer make the switch from Quark to InDesign. I was wrong. I was told that I had­n’t pur­chased at the prop­er time to qual­i­fy for the tuto­r­i­al offer. I explained that I want­ed to switch if only I could min­i­mize the learn­ing curve with the tuto­r­i­al. The answer remained ‘no.’ After spend­ing all the mon­ey I did on InDesign, I am stuck using Quark and mut­ter­ing under my breath. Not because I hate Quark so much, but because Adobe has no inter­est in help­ing me make the switch. InDesign 2.0 remains in an unopened box and will remain that way. Adobe could have a loy­al cus­tomer who reg­u­lar­ly pur­chas­es upgrades but instead refused to help me switch over by offer­ing me a CD which was giv­en with InDesign only 2 months after I pur­chased. I think Adobe is doing a pret­ty impres­sive job of sup­port­ing Quark right back.

  6. Pariah Burke

    Do you use Photoshop, Illustrator, and/or Acrobat? If you buy Adobe’s Creative Suite you’ll get not only upgrades to those prod­ucts and to InDesign, but some real­ly good Total Training videos in the box.

  7. BAxter Byrd

    Marv, I don’t get it… You spend all this time call­ing Adobe and fight­ing for a free CD, then you get on a web­site and com­plain about not get­ting a free cd that you thought you were owed, and yet you claim that InDesign still sits in an unopened boc because you heven’t got the time. You say Adobe could have a loy­al cus­tomer if they would only give you a free CD. That’s pet­ty man. Maybe you should have spent all your phone and post­ing time open­ing up the box and try­ing InDesign instead of whin­ing about not get­ting a free CD. Meanwhile, I’ll con­tin­ue to use InDesign, which took me no time to lay­out my book, cov­er and all amd laugh at those who won’t give it the time of day for a lame rea­son such as a free CD. The learn­ing curve with InDesign, espe­cial­ly if you know lay­out already, is near­ly flat, that fact tat you haven’t opened the box indi­cates your inten­tions of not want­i­ng to switch because if you tru­ly had the inten­tion to do so, you would have done it already. Just my opin­ion, Baxter

  8. Brian

    Quark Xpress sucks because you can no longer charge some­one $900.00 to place text or pic­tures in a box and then make them spend hun­dreds more on Xtensions for sim­ple tasks such as impo­si­tion. The only use­ful (and recent) addi­tion to Quark since 1993 is the abil­i­ty to col­lect fonts under the Collect for Output dia­log. And they even screwed that one up – you actu­al­ly have to tell Quark to col­lect both print­er AND screen fonts!

  9. Jay Lopez

    Sorry jus my input, Im no expert or any­thing, im 19 years old, and have used Quark for about a year (two school semes­ters) its awful, i sat down with inde­sign and was able to make pack­ag­ing for some sea shells in about two hours…like i say im no expert or any­thin, but if i 19 year old with about 30 weeks of desk­top pub­lish­ing under his belt can learn how to use inde­sign (yes my work has gone to print) in a mat­ter of hours, i think any­one who has been doing it pro­fes­sion­al­ly for years should have no problem…

  10. Pariah Burke

    Thanks for shar­ing your expe­ri­ence, Jay.

    Like any­thing else, Quark or InDesign is a mat­ter of pref­er­ence. Overwhelmingly, though, most of us pre­fer InDesign.

    If you’re plan­ning on a career in design, do learn Quark as well as InDesign. Quark won’t fade away com­plete­ly for a few years yet.

  11. Jay

    well its real­ly fun­ny how i got into this stuff, i got into a school for the sound class (i do my own record­ing) but in it all i saw all this pho­to­shop and dig­i­tal imag­ing stuff and i thought it was real­ly neat so i start­ed play­ing with it and here i am now

  12. L-ray

    Yes, I too loved Q, but I have left my roots for a new love: InD.

    I teach design cours­es and for many years tout­ed Q, but when we migrat­ed to OSX last January (03) I had no choice, I had to con­vert all my tuto­ri­als and files over to InD. Not a problem!

    I wit­nessed the love fest up in Cuptertino between Steve‑O and Freddie (no love lost there), but they hugged and made up and Fred showed off his new baby (Q‑6).

    I was not impressed. I can work in both (with my eyes closed) but I love InD.

  13. Jay

    Well actul­ly its all part of the same major, its part of a degree in dig­i­tal imag­ing and com­mu­ni­ca­tion, so we learn every­thing from web, to print, to sound, video, and 3d animation…its a lot of fun, so print part kind of found its way in and i liked it, still do, but my love is still sound.

  14. Pravin from Malaysia

    Well over here in Malaysia, we are swith­ing to ADOBE INDESIGN CS. It’s git some great fea­tures but I still love Quark (5/6) They have fixed some issues in Quark 6 like PDF Importing with a patch and an updater.

    Quark 6 only has prob­lems in OS X if your dprint­er dri­vers are not updat­ed. I have been using Quark for 8 years now and love its sta­bil­i­ty. A lot of peo­ple that com­plain about Quark don’t realise that most of the time the soft­ware fails due to their own mis­un­der­tand­ing of the Mac environment.

    All this said Quark are jump­ing on the grenade just to DIEEEEEE!@!… So the future looks to be Adobe’s… Quark deserves a fit­ting epi­taph, Here lies a Software that han­dled a decade of pub­lish­ing but has fall­en because of Idiots at the helm. Amen

  15. Alex -S-

    Yep–Quark Ugly/ inDesign Pretty :) I work in a 2‑designer office–my cowork­er works 100% Mac+ Quark and i work 80% PC W/ Indd–today i had to work on Quark–Urgh!!! 5 or more click to do some­thing INDD does in 1–2. And where’s all my pre­set key­board short­cuts and my handy pal­lates where i want them? Waaah–i want my Adobe back!! i still won­der whats so express about dear old quark?

    Quark to me is like your old grandma–familiar and you would­nt get rid of it for any­thing, but just when you’re sit­ting with “Grandma” the door rings and theres your cute new girl­friend called INDESIGN and it’s “Bye Grandma–see you in a few weeks”

    :)

    just my 2 cents worth.…

  16. Pariah Burke

    LOL Interesting methaphor, Alex. Thanks for the laugh!

    Good luck with Quark–or with con­vinc­ing the oth­er design­er to switch.

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  18. Michael H.

    I began on Quark “back in the day” (v2 on a Mac) , then used Pagemaker on a PC for a few years, then back to Mac for Quark for 4 years, then PC Quark for 2 years, now my new com­pa­ny (Mac Quark) is switch­ing to InDesign CS.
    They all have short­cuts, they all do some­things bet­ter than oth­ers, but they all prett­ty much do all things. I still love Quark , if I had to pick, but real­ly they’re all tools. If you’re pas­sion­ate about design, don’t EVER put all your eggs in one bas­ket. InDesign’s kickin butt, now, but Quark could pull it’s head out, do an IPO, and fire the head, even­tu­al­ly climb­ing back on top. Or some­thing new could come along. Then there’s Publisher (just kidding).

    Viva Le Design!

  19. pattii

    Well, Michael H., if you wait for Quark “to pull it’s head out…” and I’ll fin­ish that with “…of it’s own ass.” you’ll be dead before it hap­pens. Our pub­li­ca­tions depart­ment of about 40 peo­ple switched to InDesign. Half did it with the intro of InDs 2.0 the rest bit the bul­let with the Creative Suite. 

    Though com­plaints here to switch From QK to ID, were numer­ous (some angry and upset) when I announced it was going to hap­pen, I could see into the future well enough not to change my mind). However, switch­ers did not say InDesign was dif­fi­cult to use and NOT ONE has said they wish they had Quark back. (The only help I pro­vid­ed, was pur­chas­ing DVD’s from “Total Training” for the extra timid. Which some opt­ed not to watch– they just fudged around in InDesign and learned it.)

    They have thanked me for forc­ing them switch. Interestingly, some of the most greate­ful now, were the most stub­born Quark sup­port­ers before. 

    In addi­tion, using the entire Creative Suite has sim­pli­fied their job demands. The sim­i­lar­i­ties and seam­less­ness of the applli­ca­tions from con­cept to com­ple­tion, (be it press, PDF, or web), is a faster, smoother process.

    As the “Nike” shoes once said “Just do it!”

    Quark was hor­ri­ble to work with, esp. from an IT point of view, and unsup­port­ive of clients. When Quark dies, and it will, I’ll be there with my shov­el full of dirt for the grave. You can bet on it.

  20. Samuel John Klein

    Pattii has a good point here. Moreover she gives a cer­tain form and shape to some­thing addi­tion­al that Quark has to work against now: InDesign’s momentum.

    This momen­tum, as I see it, has two impor­tant parts. 

    The first is the buzz, the talk that’s pow­er­ing that momen­tum. There are a lot of frus­trat­ed long-time Quark users who have made the cost/benefit analy­sis and, as evi­denced by the num­ber of big pub­lish­ing names (notable amongst them the BBC and Playboy mag­a­zine) the thought of con­vert­ing work­flows over to the com­pe­ti­tion is nowhere near as unthink­able as it once was (nobody went from Quark to PageMaker after Adobe bought it and improved it).

    The sec­ond is that, for those who have switched, they now have a mon­e­tary inter­est in mak­ing it work. I’m cer­tain­ly no busi­ness­man (at least not yet), but it seems com­mon sense that, even at the CS’s low­er price and good val­ue for the dol­lar, con­vert­ing a pub­lish­ing house over to it from Quark is, in three words, ex-pense-ive. Not only will the pru­dent exec­u­tive keep the shift in place for at least long enough to jus­ti­fy the expense. Not just that, but it behooves what­ev­er man­age­ment who lead the dri­ve for the change and made the deci­sion to make it work. It seems save to pre­sume that in some cas­es, some­one’s job may be hang­ing on it.

    Pariah has said that the next round of releas­es, Xpress 7 and CS2, could decide it either way. I, in the main, agree. But I would­n’t expect those who’ve switched over to go run­ning back to Quark, at least not right away; they went thought a lot in time and effort to switch to a new work­flow, and the onus will be to make that pay off.

    And, when a poster talks of for­mer XPress par­ti­sans who are now enthu­si­as­tic CS users, makes state­ments with good points about CS’s usablil­i­ty and smooth inte­gra­tion, and says, straight out, that when Quark dies she will “be there with my shov­el full of dirt for the grave”, then it seems to me that even if Quark has a quan­tum leap and rein­vents the wheel, it will *still* have its work cut out for it. 

    It’s tough to beat mind­share like that. Quark may have friendlied-up its poli­cies and is redis­cov­er­ing inno­va­tion, but CS has stolen momentum.

  21. Keith

    Ok, let look at it like this. Productivity. That is what will make or break a com­pa­ny. Now, Adobe is giv­ing CS as a suite which IT peo­ple are thank­ful of (One ser­i­al num­ber, cheap­er costs eas­i­er upgrade paths) which off­sets the costs of Modular soft­ware think­ing. Here are the facts.
    (1) Indesign is cheap­er over­all for pub­lish­ing hous­es to pur­chase ver­sus buy­ing PS, ILL, ACR, then QUARK ser­per­atle­ly or buy­ing CS2. (2)Faster to install 1 Suite then indi­vid­ual pack­ages and eas­i­er for IT staff to sup­port and main­tain due to 1 ser­i­al num­ber 1 set of discs 1 box.
    (3) Easier work­flow with CS2 than try­ing to USE Qack (yesI speeled it like that, like a lame duck, like their ugly GUI). Such as short­cuts, inter­face (GUI), Version Cue and Bridge. You get the picture.
    (4) By work­ers using PS, ILL, ACR, they get use to 1 user inter­face, fig­ur­ing out Qacks lame excuse for a GUI takes away from pro­duc­tiv­i­ty. Face it. Look at the print Dialog box if this is hard to grasp. If you are pay­ing 40 design­ers to browse through a clunky inter­face, in 1 year’s time you would have off­set the cost of switch­ing over in wast­ed labor and uneed­ed mouse clicks.
    (5) One com­pa­ny, One cus­tomer sup­port, eas­i­er compatibility.
    (6) Qack is very slow in the bug fix realm and slow­er than a snail’s pace at devel­op­ing upgrades. Face it they sit around suck­ing what they can off the “Goold Old Days”. So stay­ing with the times and the newest tech and trends is some­thing Qack is NOT known for doing.
    (7) Adobe bought Macromedia. So now you have Printdesign/Webdesign work­flows. What is Qack gonna do? Come out with an Xtension that cost too damn much and does­n’t do enough? Or tell you that Web design is just a trend and is on the way out?
    (8) Eight Track play­ers were the most advanced at one time and it took a while for con­sumers and ven­dors to switch. Now find me an eight track player.
    Qack is the 8 track. Adobe is the CD.
    (9) Qark sta­ble? Yeah uh huh and a post­script error is some­thing Qack users nev­er see. Adobe invent­ed post­script. I think they know how it works just a lit­tle bit bet­ter than what Qack assumes it is sup­posed to be.
    (10) The GUI. Oh how Qack inspires the mass­es in design just by look­ing at the most ugly and stu­pid GUI I have ever seen on any pro­gram. Also that GUI has­n’t had a major over­hall since con­cep­tion. Its about as ugly as a wheel­bar­row full of frog crap coat­ed in asbestos and lye. Drop the 8track, burn the leisure suit, and remem­ber, Microsoft has even upgrad­ed their GUI more often than Qack. I see freee­ware with more ele­gant GUI’s than this. YOu want me to pay this much foir some­thing this ugly? YUCK. It’s in eff­i­cent, clunky, con­fus­ing, and down­right butt ass ugly. It depress­es peo­ple which cuts down on their pro­duc­tiv­i­ty which does­n’t make the com­pa­ny they work for money.
    You real­ly want to know the truth.…Look at the best designs, the lat­est and the great­est and you will see Adobe’s name all over it. Qack on the oth­er hand can’t even get a decent web­site design. It’s even ugly but more up to date than the poor excuse for a GUI they have on their product.

    LOL Those that still use QACK lis­ten close­ly. Ever heard of the Dinosaur? Who gets hired now a days for using Compugraphic Typesetters? Better learn IND because Qack is in it’s death throes. That ship is sink­ing and every­one knows it. The ques­tion is how long before it slides com­plete­ly under the surface?
    Oh and to the guy who is too busy to open the box and Learn IND.
    If I was your boss you would have already been Fired.
    You would have sound­ed bet­ter if you clamied your dog ate the box.
    Keep up with the times or you get left behind and in this cor­po­rate day and age of stream­ling­ing and trim­ming the fat you bett­ter have some­thing to offer the work­force besides excuses.
    LOL

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  23. Jon

    Yes, it’s easy to beat on Quark for some of the com­ments of pre­vi­ous man­age­ment, but Quark now helps to keep Adobe hon­est. Talk about monop­o­lies, with­out Quark, what cre­ative area would­n’t Adobe own? InDesign users, what­ev­er you think of Quark or QuarkXPress, if it goes Adobe can do what­ev­er they like.… Now that is scary!

  24. NK

    Hey all! I’ve worked for about 10 years design­ing for print (most­ly sta­tionery, mail­ers, etc), and when I got involved in pub­lish­ing, I cut my teeth on Indesign 1.5: what a plea­sure! Each suc­ces­sive ver­sion brings more flu­id­i­ty and ele­gance to the work­flow. A while back, I was forced to use Pagemaker for a cus­tomer’s lay­out… “Michael H” says “they’ve all got short­cuts”, but for those of us humanoids born with only 2 hands, “Shift+Alt+F7”… – give me a flip­pin break! At anoth­er time, when our bureau merged with anoth­er office, I tried learn­ing Quark 5 (more like, Quark zealots tried to force it, Anaconda-style, down my throat). What a crock! Painfully com­pli­cat­ed and metic­u­lous ways of per­form­ing sim­ple tasks… blergh. Quark is kind of like a benign mole – it’s less painful and less of a has­sle just to leave it alone… this is why com­pa­nies don’t do them­selves a BIG favour and upgrade (YES, UPGRADE) to InDesign. Which brings me to a relat­ed rant: Macromedia Freehand (and Fireworks, for that mat­ter) should also “jump on the grenade just to DIEEEEEE!” (thanks Pravin for this gem)

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