Quark Brand Suggestion Box

What are your suggestions for improving the Quark brand?

Quark Brand Suggestion Box

Right now, Quark’s image should be at its shini­est. There’s a spiffy new logo and brand­ing strat­e­gy; hip, fresh pro­mo­tion; a new, clear direc­tion of lead­er­ship; an abun­dance of print cov­er­age pro­mot­ing the best of QuarkXPress with­out dis­parag­ing the com­pe­ti­tion, and; a rev­o­lu­tion­ary new ver­sion of QuarkXPress on a firm release sched­ule. Despite all this, some­how, Quark’s image still accu­mu­lates tar­nish faster than Grandma’s silver.

We here at Quark VS InDesign​.com believe Quark’s mar­ket­ing depart­ment would like to hear your sug­ges­tions to restore the shine to Quark’s mac­u­lat­ed brand. So, toward that end, we’ve opened the Quark Brand Suggestion Box.

The aver­age read­er of this Website works in mar­ket­ing, brand­ing, adver­tis­ing, or an area of design or pro­duc­tion deal­ing with brands and mar­ket­ing. We’re open­ing the floor to you. Tell us in the com­ments to this arti­cle what you think Quark can do to improve its brand image. We’ll pass along the best of the ideas to Quark’s mar­ket­ing department.

quark, quarkx­press

8 thoughts on “Quark Brand Suggestion Box

  1. Jim Pascoe

    Is this arti­cle a joke? I love how “a firm release sched­ule” links to an arti­cle that talks about sum­mer 2005. 

    Quark does­n’t need bet­ter mar­ket­ing – they need a bet­ter product.

  2. erika

    Above all else, Quark needs to release a sta­ble, fea­ture rich, processor-friendly v7 NOW.The mul­ti­ple pro­ject­ed release dates have added anoth­er joke to the rou­tine oth­er­wise known as “Open Mike Night” at 1800 Grant. While 29 months is a short upgrade cycle for Quark Inc., they’re sup­pos­ed­ly step­ping up to play with the big boys now – let’s see it already. “Ensuring it’s ready?” Again with anoth­er zinger for Open Mike Night – as they’ve nev­er been both­ered with such friv­o­li­ties before.

    Secondarily, they could focus on a few oth­er open issues:
    1) find a CEO, it’s been 5 months – not unheard of, but for a pri­vate­ly held com­pa­ny under such pres­sure where sink­ing or swim­ming are the only viable options, well…
    2) stop rely­ing on third-party plug-ins to do what the com­pe­ti­tion sim­ply has, or humbly adds, as out-of-the-box features.
    3) stop mak­ing fools of them­selves with mar­ket­ing which clear­ly vio­lates the most basic false-advertising stan­dards. don’t both­er with belit­tling the com­pe­ti­tion, except when cold, hard facts dic­tate oth­er­wise (e.g. Quark does THIS bet­ter, and here is WHY…)
    4) stop using mom-n-pop sto­ries, or worse, blogs, as cus­tomer tes­ti­mo­ni­als. sure­ly the cor­po­rate sales team can pro­vide you with bigger-name Quark advo­cates. If the corp. sales team can’t deliv­er sol­id, big-name case stud­ies, just look through the licens­ing records – one or two large ad agen­cies, one or two large pub­lish­ers, one or two large retail­ers with in-house mar­ket­ing depts, et al.

  3. hunter

    Your first para­graph is very tongue-in-cheek and hilar­i­ous. “Spiffy new logo”? I guess you prob­a­bly meant “Repurposed, stolen logo”? I’m amazed that Quark has the gall to con­tin­ue to use the Scottish Arts Council logo. I guess they think SAC does­n’t have enough mon­ey to sue so they can get away with it. “Hip, fresh pro­mo­tion”? So hip and fresh it was the butt of end­less neg­a­tive com­men­tary. Thanks for the laugh this moning.

  4. Samuel John Klein

    Here’s a thought: QuarkXPressâ„¢ Home Edition.

    Seriously.

    I’ll bet there’s an enour­mous num­ber of self-made and home newslet­ter and fly­er desingers who would jump at the chance to own some­thing with the mar­ket cur­ren­cy of QuarkXPress – but even at the reduced price, who at home could afford it?

    This occurred to me after med­i­tat­ing on the suc­cess of Photoshop Elements, the Photoshop For The Rest Of Us. A stripped-down but still butt-kicking ver­sion of PS, it’s had great suc­ces, and it does­n’t seem to have dimin­ished Adobe’s pro­fes­sion­al cur­ren­cy at all…as a mat­ter of fact, it seems to com­pete in no way or form with pro-level PS, and the nature of the pro­gram makes Adobe look even more innovative.

    I think I QuarkXPress Home Edition paired with some­thing like FreeHand (which Quark could pur­chase from Adobe and restart devel­op­ment) could be a huge success.

  5. John

    Curl up and die. 

    Your prod­uct is irrel­e­vant. Even when I am forced to use Quark your half-assed lay­ers sys­tem and very low res image ren­der­ing alone are enough to make me do as much work in Photoshop as I can. Again, Adobe rides to the rescue. 

    I thought your prod­uct was half-baked back when I had no choice but to use ver­sion 3.3 and it real­ly has not changed very much in a decade, has it?

    Retire you arro­gant losers.

  6. Shay

    It would help if Quark stop releas­ing BETA app with ver­sion #. It’s very con­fus­ing, one might mis­take quark 6 for a real pro, user ori­ent­ed prod­uct, then peo­ple build expec­ta­tions and get dis­ap­point­ed. It’s well over-due for quark’s 10-year old prod­uct to become some­thing worth talk­ing about.

  7. Matthew Treder

    Multi-machine edit­ing of a sin­gle doc­u­ment in real time.
    If there remains a hail-Mary, holy-grail sil­ver bul­let that could win back the con­stituen­cies Quark has tra­di­tion­al­ly owned, this would be it. At the second-largest dai­ly news­pa­per in Oregon where I worked, page design­ers are stuck with lega­cy soft­ware from Digital Technologies (“DT”) that has­n’t been updat­ed since Mac OS 9. And so, six years and four large cats lat­er, they’re stuck with it.
    Why do they stay with it? You can open a page on five dif­fer­ent com­put­ers and work on it simul­ta­ne­ous­ly. With five min­utes to dead­line, it’s the sin­gle killer app that makes OS X, and even InDesign in its cur­rent incar­na­tion, irrel­e­vant. The lay­out pro­gram that gets there first will win back legions of har­ried jour­nal­ists work­ing under crush­ing pres­sure from dead­line to dead­line, but doing it alone on one machine instead of in tan­dem on several.

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